Posts Tagged Marcy Victoria Reed
“We are the four immigrants” thus begins entirely engaging and ravishingly gorgeous musical, at Theatreworks Silicon Valley premiere, at Palo Alto’s Lucie Stern Theatre. Playwright and composer, Min Kahng adapted the theatrical production from a comic book by Henry Kiyama and tells the story of new immigrants from Japan from 52 comic strips, beginning in 1904.
Unlike the European immigrants who landed on the East coast, often fleeing religious persecution, the immigrants from Asia came for new opportunities and to realize the American dream “I’ll break the mold and make my mark”. While the immigrants from Europe encountered discrimination along the lines of poverty, new immigrants from Asia also had to deal with racial prejudice.
This musical tells a universal tale of people leaving their homeland for any number of reasons and then search to find a life and make a home in the new land. The musical speaks of such adventures of four men, Charlie (Hansel Tan), Fred (Sean Fenton), Frank (Phil Wong), and Henry (James Seol). These are four incredibly talented actors who deliver a stunning performance of riveting dances and engaging lyrics as they talk about their experiences; weaving in significant historical events like devastating San Francisco earthquake, US Government call to join the military in world war II, racial bias and Government denial to grant citizenship, even to war veterans. These men also have obligations back home and from time to time experience the guilt and shame of not rising up to expectations; for instance, when they fail to send money home in a timely manner. Search for a life partner often raises questions about areas where immigrants are tied to known customs and traditions and where these collude in their simultaneous quest to embrace the modern ways of new homeland.
Gradually, these young men in Henry Kiyama’s comic strip mature and make a life in their new homeland. They each in their own way, embraces and blends the old and the new. Whilst they began with sweeping floors and making sacrifices, they learn that not only they can enjoy the fruits of their hard work but their new homeland requires them to be engaged members in the community; standing up for and demanding their rights. They sing with satisfaction, “I know I have something remarkable to share with the world”. We also learn that motherland is never forgotten, as we hear them sing with longing, “Kurusato”.
Great kudos to Leslie Martinson for brilliant directing and casting. Four male actors are joined by Rinabeth Apostol, Kerry K Carnahan, Catherine Gloria and Lindsay Hirata who play a variety of male and female roles with aplomb. Also great kudos for superb use of props and stage to Marcy Victoria Reed and Christina Larson.
As the founding director of Theatreworks, Robert Kelley has announced his retirement after 50 years of dedicated stewardship, we must acknowledge the incredibly bold and perception changing performances that have been brought to stage under his helm. Such an incredibly warm influence to counter the current cold reality of increasingly anti-global, anti-immigrant, anti-environment, anti-diversity vibes coming from Washington D.C. True to Theatreworks’ core values, these phenomenal productions are not only fabulously entertaining, they also gently guide us to learn and be better informed, to embrace diversity and to shift our point of view to one that is more global and more inclusive.
For this theater season, I am selecting, “The Four Immigrants” running at www.theatreworks.org till August 6, 2017 a must-watch-play of this theater season. In true spirit of Silicon Valley where the production took shape, it is extremely innovative, highly entertaining, solidly engaging and brilliantly done.
“Sweeney Todd: The Demon Barber of Fleet Street” opened at Theatreworks, Saturday night, and received a standing ovation from the full house. The story, based on the book by Hugh Wheeler, with music and lyrics by Stephen Sondheim, is about the power of evil to infect everything and everyone, in its wake. And in the words of Theatreworks’ Artistic Director, Robert Kelley, Sweeney Todd is “about our ways of dealing with evil: countering it with virtue, disarming it with humor, crushing it with force, or transforming it into art”. And what a fine work of art it is in this theatreworks production.
The story of Sweeney Todd is set in London in 1940s, during the time when London was blasted by German bombs. Fifteen years prior, a barber was unjustly convicted and sent to Australian prison and has now returned to extract his revenge from the system. Specifically, he wants to extract revenge from the evil Judge Turpin (Lee Strawn), and his lackey, a portly, greasy, evil man, Beadle Bamford (Martin Rojas Dietrich).
David Studwell, in the role of Sweeney Todd, is devilishly magnificent and the first person he charms and snares into his evil scheme, is Mrs. Lovett (Tory Ross, who is equally magnificent). While Sweeney Todd has been deeply wronged by the system, is motivated by vengeance, and does the disturbingly gory work with his bare hands, Mrs. Lovett, a pie seller, trying to run a challenging business at a difficult time, is entrepreneurial, charming, and is purely driven by profit motive. She works with her hands, tenderizing the meat (if we forget for a minute the source of that meat) and baking it into artful, tasty pies. The force of evil is so powerful, it sucks you right in. When Mrs. Lovett declares, “we got a nice respectable business now”, it almost makes you want to root for her to rescue Sweeney from his obsession with vengeance and escape with her to a cottage by the ocean. When smug judge Turpin comes for a shave, to get ready to seduce his ward, Joanna (gorgeous Mindy Lym), who is Sweeney’s daughter, whom he has kidnapped and raised, you almost root again for Sweeney to complete his task and give the judge his due.
When the judge escapes, instead of heaving a sigh of relief, you almost want to tell Sweeney, “what made you wait, you had him”!! This timeless tale is as much about the demon barber, as it is about the evil lurking in all of us. If it is not consciously checked, the evil will suck you right in, if not by doing, than by thinking. Special kudos to fantastic musical direction by William Liberatore and superb staging by Marcy Victoria Reed and Emily Anderson Wolf. Don’t miss this incredible production by theatreworks. For tickets, go to www.theatreworks.org .
I had him!
His throat was there beneath my hand.
I had him!
His throat was there beneath my hand.
No, I had him!
His throat was there and now he’ll never come again.
Mrs. Lovett: Easy now, hush love hush
I keep telling you, Whats your rush?
Todd: When? Why did I wait?
You told me to wait –
Now he’ll never come again.
There’s a hole in the world like a great black pit
And it’s filled with people who are filled with sh*t
And the vermin of the world inhabit it.
But not for long…
They all deserve to die.
Tell you why, Mrs. Lovett, tell you why.
Because in all of the whole human race
Mrs. Lovett, there are two kinds of men and only two
There’s the one staying put in his proper place
And the one with his foot in the other one’s face
Look at me, Mrs Lovett, look at you.
Don’t we all deserve to die?
Even you, Mrs. Lovett, even I.
Because the lives of the wicked should be made brief
For the rest of us death will be a relief
We all deserve to die.