Posts Tagged Kit Wilder
In World Premiere of “Truce: A Christmas Wish from the Great War“, at CityLights Theater in San Jose, through telling of the story of the historic event that occurred in December 1914, both the mindlessness of war and the mindfulness of peace, become abundantly evident. Playwrights Jeffrey Bracco and Kit Wilder have made this historic story personal, by telling it through four main characters, George Krieger (Max Tachis), the German patriotic soldier, fighting for honor, glory, and fatherland; Anna Friedmann (Cailin Papp), the German nurse who questions the wisdom of war; Tommy Williams (Drew Benjamin) English poet who is compelled to go to war by parental pressure and also pulled to write and pulled by his love for his young wife and by his friendship with Krieger; and Maggie Williams (Allison Meneley), young wife of Tommy who encourages him to write and waits for his return from war.
A little piece of history along with the events in the play
This history was also expertly and succinctly narrated at the beginning of the play. The world was polarized and battle lines were drawn, long before the actual event that ignited the region, the assassination of Austrian Archduke Ferdinand, in Sarajevo in June, 1014. As Austria-Hungary declared war on Serbia, Russia (Serbian ally) mobilized its military. Like a game of dominoes, one by one the countries were pressured or pulled into the war, as Germany declared war on Russia, France, and Belgium; Britain declared war on Germany; soon thereafter, Japan, Turkey, and the Ottoman Empire entered the fight; and ultimately US entered the war in 1917. Ultimately, 70 million military personnel were mobilized.
While the obsession of the generals is with moving the pushpins on a map, war has an entirely different impact on the soldiers, in the trenches. As the characters recount, it was widely believed by common people that the “Great War” would be over within a period of months, if not sooner. Everyone expected their loved ones to be home by Christmas. Then Pope Benedict XV suggested a temporary halt in fighting for the celebration of Christmas, in December 1914, but the warring countries refused to create any official cease-fire. In fact, the generals declared penalties for what they considered amounted to fraternizing with the enemies.
During the four years that the world was at war, several deadly battles were fought. Nearly 27,000 French troops were killed in a single day, in the Battle of the Frontiers, in August, 1914. In the battle of Verdun in 1916, over one million soldiers were wounded or killed. In the end, more than 9 million soldiers and over 7 million civilians died, as a result of this “Great War”, making it one of the deadliest conflicts in history. It is then all the more remarkable that in the midst of the most deadly period of fighting, there was a brief period of calm, friendship, and camaraderie, moments of hope, reflection, and humanity.
This was a one time event. All future attempts to halt the fighting were squashed by generals’ threats of disciplinary action. It is even more astonishing that this period of calm emerged spontaneously, in the trenches. Those who were there, not to reason why, but to do and die, disobeyed orders, and for a brief shining period in history, humanity prevailed. The soldiers declared their own truce; they began singing Christmas carols to each other across the enemy lines. Entirely a different domino effect was observed, as soldiers in various places, crossed the no man’s land, and shook hands with the enemy soldiers and exchanged presents of cigarettes, plum puddings and beef jerkey and sang carols. Some soldiers even used this short period of “truce” to retrieve bodies of their comrades, from the no man’s land, between the enemy battle lines.
It is the brilliance of Jeffrey Bracco and Kit Wilder, in how this remarkable historical event is captured and reproduced on stage, in “Truce: A Christmas Wish from the Great War”. After deep research and from various documents and anecdotes, Bracco and Wilder put together the script. Ron Gasparinetti created the scenic design to conjure up images of the long ago war, Jane Lambert provided the costume design and Nick Kumamoto provided lighting and video projection to keep the time and place real. George Psarras composed music from popular WWI songs. (One popular song “pack up your troubles in your old kit bag” was one of the biggest hits of the Great War time).
This is truly a must-watch play of this theater season, and it beautifully captures the spirit of the holiday season. Truce will be running at CityLights Theater in San Jose, through December 21, 2014. For tickets, go to www.cltc.org .
In the aftermath of the #FergusonDecision, this respite is exactly what we need. Let us call “truce” and renew commitment to create conditions of
Kudos, City Lights, for bringing Spacebar by Kyle Sugarman, on stage. Jeremy Helgeson is absolutely superb, as Kyle Sugarman, a 16 year old with aspiration of becoming a Broadway playwright. The playwright Michael Mitnick, is graduate of the Yale School of Drama. Perhaps in Spacebar, there is some touch of autobiography?
Kyle Sugarman’s dad (played by brilliant Jeff Kramer), delivers a monologue, in the opening scene, that is irreverent, shocking, and hysterically funny. In one short speech, he delivers non-sugar coated reality of events to his four year old, that one hopes, is beyond a child’s level of comprehension. As the play progresses, it becomes apparent that everything the child (who is now a young man) aspires for and becomes, is perhaps triggered by those events. There is a deeply touching, just tragic enough to constantly tug at your heart strings kind of undertone, to the play, that is otherwise quite funny.
In a cover letter addressed to Broadway, Sugarman explains his script and as he reads the letter aloud, the script plays out beside him. Captain Iditarod (played by Jeff Kramer), attired in lighted space suit, owns a bar in outer space, several thousand years into the future, and he serves FutureBeer to his friend, Mortimer Pip (played by Kieth C. Marshall), who engages in no-holds bar profanities. Suddenly, there on the edge of black hole, lands another space vessel and descends beautiful Esmerelda Happenstance (Morgan Voellger), with her Playboy, millionaire fiancée (George Psarras). (The cast in this play is excellent and loved both Voellger and Psarras.) Amidst all the comedy of events, there is a short tragic saga of Captain Iditarod’s long lost daughter and how he plans to find her.
When Sugarman does not receive the response he desired, from Broadway, at the insistence of his girl friend, also superbly played by Adrienne Walters, he escapes to New York, to personally make a case about his play, to Broadway. But there is more. Kyle not only wants his play produced on Broadway but he wants it heralded by a big bill board, precisely on the corner of 46th and Broadway. Precisely why? Didn’t I say, there is a tragic undertone, in this part comedy, part drama, part futuristic production? As Kyle Sugarman says, “Spacebar is the story of humanity. Spacebar is not about the space key on a computer keyboard.”
Executive Artistic Director Lisa Mallette, Associate Artistic Director, Kit Wilder, Technical Director Ron Gasparinetti, and Stage Manager, Michelle Marko deserve big kudos for beautiful stage design and lighting. Costumes by Erin Haney and lighting by Nick Kumamoto, brilliantly complement the futuristic theme.
Spacebar is playing at City Lights Theater, in San Jose. For more information and tickets, go to www.cltc.org .