Posts Tagged Germany
In World Premiere of “Truce: A Christmas Wish from the Great War“, at CityLights Theater in San Jose, through telling of the story of the historic event that occurred in December 1914, both the mindlessness of war and the mindfulness of peace, become abundantly evident. Playwrights Jeffrey Bracco and Kit Wilder have made this historic story personal, by telling it through four main characters, George Krieger (Max Tachis), the German patriotic soldier, fighting for honor, glory, and fatherland; Anna Friedmann (Cailin Papp), the German nurse who questions the wisdom of war; Tommy Williams (Drew Benjamin) English poet who is compelled to go to war by parental pressure and also pulled to write and pulled by his love for his young wife and by his friendship with Krieger; and Maggie Williams (Allison Meneley), young wife of Tommy who encourages him to write and waits for his return from war.
A little piece of history along with the events in the play
This history was also expertly and succinctly narrated at the beginning of the play. The world was polarized and battle lines were drawn, long before the actual event that ignited the region, the assassination of Austrian Archduke Ferdinand, in Sarajevo in June, 1014. As Austria-Hungary declared war on Serbia, Russia (Serbian ally) mobilized its military. Like a game of dominoes, one by one the countries were pressured or pulled into the war, as Germany declared war on Russia, France, and Belgium; Britain declared war on Germany; soon thereafter, Japan, Turkey, and the Ottoman Empire entered the fight; and ultimately US entered the war in 1917. Ultimately, 70 million military personnel were mobilized.
While the obsession of the generals is with moving the pushpins on a map, war has an entirely different impact on the soldiers, in the trenches. As the characters recount, it was widely believed by common people that the “Great War” would be over within a period of months, if not sooner. Everyone expected their loved ones to be home by Christmas. Then Pope Benedict XV suggested a temporary halt in fighting for the celebration of Christmas, in December 1914, but the warring countries refused to create any official cease-fire. In fact, the generals declared penalties for what they considered amounted to fraternizing with the enemies.
During the four years that the world was at war, several deadly battles were fought. Nearly 27,000 French troops were killed in a single day, in the Battle of the Frontiers, in August, 1914. In the battle of Verdun in 1916, over one million soldiers were wounded or killed. In the end, more than 9 million soldiers and over 7 million civilians died, as a result of this “Great War”, making it one of the deadliest conflicts in history. It is then all the more remarkable that in the midst of the most deadly period of fighting, there was a brief period of calm, friendship, and camaraderie, moments of hope, reflection, and humanity.
This was a one time event. All future attempts to halt the fighting were squashed by generals’ threats of disciplinary action. It is even more astonishing that this period of calm emerged spontaneously, in the trenches. Those who were there, not to reason why, but to do and die, disobeyed orders, and for a brief shining period in history, humanity prevailed. The soldiers declared their own truce; they began singing Christmas carols to each other across the enemy lines. Entirely a different domino effect was observed, as soldiers in various places, crossed the no man’s land, and shook hands with the enemy soldiers and exchanged presents of cigarettes, plum puddings and beef jerkey and sang carols. Some soldiers even used this short period of “truce” to retrieve bodies of their comrades, from the no man’s land, between the enemy battle lines.
It is the brilliance of Jeffrey Bracco and Kit Wilder, in how this remarkable historical event is captured and reproduced on stage, in “Truce: A Christmas Wish from the Great War”. After deep research and from various documents and anecdotes, Bracco and Wilder put together the script. Ron Gasparinetti created the scenic design to conjure up images of the long ago war, Jane Lambert provided the costume design and Nick Kumamoto provided lighting and video projection to keep the time and place real. George Psarras composed music from popular WWI songs. (One popular song “pack up your troubles in your old kit bag” was one of the biggest hits of the Great War time).
This is truly a must-watch play of this theater season, and it beautifully captures the spirit of the holiday season. Truce will be running at CityLights Theater in San Jose, through December 21, 2014. For tickets, go to www.cltc.org .
In the aftermath of the #FergusonDecision, this respite is exactly what we need. Let us call “truce” and renew commitment to create conditions of
“Here is a small fact. You are going to die”. I wasn’t too thrilled when the Grim Reaper began narrating the story and was glad to hear the voice of death only couple of times and only in very short pieces. This is a story based on the original book by Markus Zusak and adapted for the movie by Michael Petroni. Movie is directed by Brian Percival.
The story unfolds in Germany, during World War II, between 1938 and 1945. Liesel’s poor mother, unable to care for her children, is compelled to give her up for adoption. Liesel’s adoptive father, Hans indulges her and teacher her to read, while her adoptive mother Rosa is a bit distant, at first. Liesel is a bright girl who immediately picks up the linguistic skills and relishes books. As is the case in all autocratic rules, knowledge is often suppressed, with suppression of freedom of expression, and in Hitler’s Germany, books are burned publicly and very few books have survived. Liesel discovers a large home library and eventually finds a way to steal books to read, though she says, she is only borrowing them. Her best friend Rudy promises to keep it a secret but incredulously asks, “people are dying due to lack of food, and you are stealing books”? But in the end, it is the books that bring Liesel hope and helps the young Jewish man, Max survive, who is hidden by her adoptive parents, in their home, at incredible risk to themselves. Liesel reads to Max, when he is fighting off poor health, she tells stories when people are taking refuge from the bombs, in the shelter, and she reaches out for a book, when she seems to have lost everyone and everything, as she emerges from the rubble, created from allied bombs.
The casting in the movie “The Book Thief”, is brilliant. Recently, I heard Alexander Payne, (Director of such films as Nebraska and Dependants) say that 90% of directing is casting. In “The Book Thief”, each character is marvelously played and that includes the roles of Liesel’s adopted parents, beautifully played by Geoffrey Rush as the kind and caring father, and outwardly stern and practical but inwardly soft mother, played by Emily Watson. Ben Schnetzer, in the role of Max (son of a Jewish friend of the family) and Nico Liersch as Rudy, are perfect. But it is Sophie Nelisse, in the role of Liesel, who captured my heart and wowed me, with her acting. There are many opportunities for over-acting and the story and the plot certainly might compel a less experienced actor to do just that. However, Nelisse conveys with very simple gestures, smiles, or sometimes by simply looking away, enormous depth of emotion or seriousness of the situation. I will certainly look for her in other roles.
The movie has made an effort to bring to screen a best-seller, but as is often the case, it has not succeeded entirely in rising to the level of being unforgettable. However, overall, it is an engaging plot, great story, and Nelisse’s acting is supsuperb. I give it a 4 on 1 to 5 scale, with 5 being excellent.