Posts Tagged City Lights

Alabama Story: Play Review


This play is set in Montgomery, Alabama, a place that has so much historical significance, both as the Cradle of the Confederacy and the Cradle of Civil Rights. “Alabama Story” is a powerful play by Kenneth Jones and is inspired by real events in “the Deep South of the imagination”.

Image result for alabama story city lightsThe incident springs from an innocent children’s story book published in 1958 (one may say it hides an apparent message promoting diversity).  Author and illustrator Garth Williams (best known for his illustrations in Charlotte’s Web and Little House On the Prairie) released a book called The Rabbits’ Wedding, where a black rabbit marries a white rabbit. This gentle children’s book created a massive stir and ignited the passions of a State Senator who harbored strong segregationist agenda. Senator Higgins (Erik Gandolfi) issued a request for the book to be pulled out of state’s library shelves on the charge that it promoted “race-mixing”.

Image result for alabama story city lightsThe story would end there, if it was not for a no-nonsense State Librarian, Emily Reed (Karen DeHart). She counters him saying that the book is an important vehicle for educating the impressionable youth and young minds must get all the information available so they can make their own decisions about people and circumstances. She in fact, ordered the book to be pulled out of shelves and out of general circulation and instead put it in reserve circulation so that it would always remain available.

Image result for alabama story city lightsThis public feud unfolds against the backdrop of intimate story of childhood friends, Joshua (Bezachin Jifar), son of a house slave woman and Lily Whitfield (Maria Giere Marquis), daughter of a slave owner.

Image result for alabama story city lights

 

This is a simple yet powerful play that makes a bold statement about how a character may be tested at critical times and those who can withstand the test of character are the powerful figures that reshape the community; reshape a nation. Reed faced tremendous political pressure from the state politicians and at one time she said, “We have had difficulty with the book…. But we have not lost our integrity”. Mixed in with the politically charged focus of the play, there is some courtroom drama, childhood love, hint of passion, and a glimpse into how history may have unfolded in so many different ways, big and small, in private and intimate recesses of one’s mind and in public arena, during one of the most significant periods in America.  Superb direction is by Lisa Mallette, who is in her 17th season at City Lights.

I declare, this is a not-to-miss play of this theater season and will be running at City Lights Theater in San Jose, until February 18, 2018. For tickets, check the website www.cltc.org .

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“The West Side Story” – Play Review


Inspired by “Romeo and Juliet”, in “The West Side Story”, based on the book by Arthur Laurents, with Stephen Sondheim’s compelling lyrics, and Leonard Bernstein’s music, Shakespeare’s timeless tragic tale is transformed into a war between the members of two rival gangs, in New York.  

At City Lights, the drama unfolds in an intimate setting, with Ron Gasparinetti’s simple simple set design, under the brilliant direction by Lisa Mallette, and does not lose any of its flair.  Large cast of 26 members, deliver beautifully.  The casting is superb.  

The tale of turf war starts as the Jets, an older gang of primarily Italian, Irish, Polish youngsters feel challenged by the newer Puerto Rican immigrants, the Sharks.  When Tony (Max Jennings), a Jet, and Maria (Katherine Dela Cruz), sister of a Puerto Rican Shark, fall in love, the tensions between the two rival gangs escalate dramatically, resulting in a series of violent events and ultimately leading to irreversible heart-breaking tragedy.  Dela Cruz’s operatic delivery of all her pieces is most impressive, and tugs at the heart strings.  Danielle Mendoza, as Anita, Maria’s girl friend, Sean Okuniewicz (Action), leader of the Jets, and Nick Rodrigues (Bernardo), Maria’s brother and leader of the Sharks, are also fantastic.  

Tony and Maria’s intermittent romance, amid atmosphere of inexplicable bitterness and hate, is endearing and also saddening, in the light of the tragic events that are to follow.  Sometimes, it seems that the presence of caring adults, with compassion, and wisdom that only comes with years, could make a difference, and bring a dose of reality to young people, who may be on the verge of losing their footing.  Unfortunately, in “The West Side Story”, the adults fall short. The candy store owner, Doc (George S. Gemette) cares deeply, but is powerless, and throws his hands up in the air in frustration, as he says, “you kids make this world lousy; when will you stop?”  Officer Krupke (Howard L. Miller), on the other hand, is the wrong face of the law enforcement, representing the type of attitude that was all too common, but one that is rapidly changing.  Some telling lyrics below, sung by the Jets, represent their cynical take on the perspectives of those in the law enforcement.  Very insightful and infinitely saddening, these lyrics sung with rebelliousness, sarcasm, distrust, and contempt towards the law, and all who stand for it, indicate that sometimes these juveniles are acutely aware of how they have been written off as “no good”, by the law enforcement. 

Hey you
Who me, Officer Krupke?
Yeah you, gimme one good reason for not dragging
You down the station, ya punk?

Dear kindly Sergeant Krupke, you gotta understand
It’s just our bringin’ upke that gets us out of hand
Our mothers all are junkies, our fathers all are drunks
Golly Moses, naturally we’re punks

Gee, Officer Krupke, we’re very upset
We never had the love that every child oughta get
We ain’t no delinquents, we’re misunderstood
Deep down inside us there is good

Dear kindly Judge, Your Honor, my parents treat me rough
With all their marijuana, they won’t give me a puff
They didn’t wanna have me but somehow I was had
Leapin’ lizards, that’s why I’m so bad

Right, Officer Krupke, you’re really a square
This boy don’t need a judge, he needs an analyst’s care
It’s just his neurosis that oughta be curbed
He’s psychologically disturbed

My daddy beats my mommy, my mommy clobbers me
My grandpa is a commie, my grandma pushes tea
My sister wears a mustache, my brother wears a dress
Goodness gracious, that’s why I’m a mess

Officer Krupke, you’ve done it again
This boy don’t need a job, he needs a year in the pen
It ain’t just a question of misunderstood
Deep down inside him, he’s no good

The trouble is he’s lazy, the trouble is he drinks
The trouble is he’s crazy, the trouble is he stinks
The trouble is he’s growing, the trouble is he’s grown
Krupke, we’ve got troubles of our own

Like the timeless story of Romeo and Juliet, “The West Side Story” has also rightfully acquired a place as a timeless classic, in the history of urban America.  City Lights has done a fabulous job in bringing this heart rending saga of love and tragedy; in this massive production, with a huge cast, on stage.  Seats are available only for a few of the remaining shows.  Book your tickets at www.citylights.org .   

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