Posts Tagged Casting Director
“I feel I have hit bottom and then a trap door opens and I go further down and find another way to be sad”. Mr. Felt (Steve Brady) is the host of iconic children’s TV program and is struggling with the loss of his wife and longtime puppeteer partner. He has lost his enthusiasm and is contemplating retirement. Show’s director, Tom (Michael Storm) has other ideas. He wants to continue the show and he brings in a new puppeteer Jodi (Sarah Moser) to replace Mr. Felt’s wife, and to work the puppet, Francis.
In addition to being nervous, Jodi could not measure up to the role and fill in the big shoes of the original person. However, Mr. Felt devotes a weekend to train Jodi in little nuances of puppet show, and Jodi turns out to be a great student. Mr. Felt also feels rejuvenated, and he develops a close bond with Jodi. After Jodi’s training, they are ready to share her skills with the Director Tom, and fellow puppeteer, Carol (Suzanne Grodner). Mr. Felt was not prepared for the reaction from Carol.
It becomes apparent that this close knit team had much work to do, when it came to dealing with the loss of the team member, wife, and a close friend. They could not simply put back the pieces, replace the old team member with a new one, and move on. They needed to work through their grief, their anger and sadness, feel it, share it, mourn, cry, and rejoice in the happy memories, before letting go and moving on.
The show too must go on. However, it does not have to go on as it always did in the past, pretending that there wasn’t a major upheaval, a huge crisis, and a deep loss, that the team was dealing with. Can this moment of crisis be an opportunity to get real with the little members of its fan club, the children?
Great kudos to the Artistic Director, Robert Kelley, for continuing to expand the perspectives of the audience, through the medium of live theater. Writer, David West Read has written a simple story, that has much depth and combines comedy and tragedy, that mirrors life. Director, Stephen Brackett has done a fabulous job in helping it come alive, on stage. As always Stage Manager, Jamie D. Mann has done a superb job in creating TV set, complete with clappy closet and Carol’s (the puppet) barn.
Special credits to the Casting Director, Leslie Martinson, and extremely talented cast, who not only played their roles, but played the roles of the puppets, and/or relating to the puppets, in that it seemed like it was a talented cast of seven, Steve Brady, Suzanne Grodner, Michael Storm, Sarah Moser, Carol, Francis, and Meatball Moose, (eight, counting Mr. Felt’s wife) . What a treat!!
Do not miss the show; it is good for the laughs and good for the soul. “The Great Pretender” will be running at Lucie Stern Theater in Palo Alto, till August 3, 2014 and tickets can be available at http://www.theatreworks.com.
Deeply personal, hysterically funny, also sad, full of wit and humor, the play “Wild With Happy”, by nationally acclaimed, OBIE award-winning and Tony award-nominated, actor and playwright, Colman Domingo, opened at TheatreWorks, at the Mountain View Center for Performing Arts. Domingo is a gifted actor and has previously played in various well known productions, including “The Scottsboro Boys” – http://bit.ly/KIBadN . In “Wild With Happy”, he plays alongside Sharon Washington, who is superb in her duel role, and was nominated for an Outstanding Lead Actress, Lucille Lortel Award, for her performance as “Adelaide/ Aunt Glo.
Gil (Domingo) in his early forties, has returned from NYC, to his home in Philly, to make arrangements for the funeral of his mother, whom he calls “Adelaide”, to the disapproval of his “Aunt Glo” (both roles played by Washington). He continues to have conversations with his mother, now dead, as he also remembers the earlier times he spent with her, like the time when she decided to join a church and told him, it was to “get us some Jesus”. His mother says, “you are just like me, probably more me than me”. (Isn’t that how it always turns out?) She wants to call Oprah on his behalf, has dreams for him, and believes in magic and fairy tales. She advises, he let go of the past and be open to love, even as he insists, he is a middle aged grown man with $80K in student loans that has yet to be paid back, and magic does not happen in real life.
Aunt Glo, mother’s twin, is a feisty, energetic, zany woman, who gulps down pills to manage her blood pressure, and insists that they have a funeral befitting the tradition, even as she is cleaning out her sister’s closet, for her shoes, dresses, scarves and jackets. Gil prefers a quiet end to mark his mother’s passing away, and questions the need for ceremony. Aunt Glo insists that “tradition has to be maintained”, “because that is what our people do”, “because we are common people”, and that after the limo, hearse, and procession, there should be a reception, so as to not “get talked about afterwards”. She stands her ground, insisting that while her sister was nearing the end of her life, she was the one taking care of her “onliest sister”, as Gil who was pursuing his career in theater, was “missing in acting”.
Gil, meanwhile, discusses the funeral arrangements with the funeral director, Terry (superbly played by Richards Prioleau), who tries to sell the best package, while Gil insists that he is looking for “best on a budget”. To great consternation of his Aunt Glo, Gil settles on cremation, and drives with the urn, with his friend Mo (Duane Boutte), followed in hot pursuit by his Aunt and Terry. Gil and Mo have some conflict along the way, but finally they all end up in Florida, in Disney’s MagicKingdom, in the Cinderella Suite. And magic happens as they make peace. Even as Gil realizes he cannot escape from grief, that “grief becomes part of you that never goes away”, he also understands, “love is a story that never ends”, and he must “shake some fairy dust and keep on believing”. And acknowledging that love is a journey, Aunt Glo also concedes that “love is not a box of cherries, nor a bowl of chocolates,” but is a “trip down the winding lane”. Finally, Gil is not running away from, or running towards, not escaping neither chasing, anything. “I want to just sit”, he says.
Director, Danny Scheie has done a fantastic job. Great kudos to Scenic Designer, Erik Flatmo, Stage Manger, Karen Szpaller, and Assistant Stage Manager, Emily Anderson Wolf. Absolutely loved the beautiful set of Cinderella suite that briefly seems to transport the audience to the magicality symbolized by Disney. Great kudos to Casting Director Leslie Martinson, for excellent casting. And Costume Designer, Brandin Baron did a splendid job in bringing out the personalities of Adelaide and Aunt Glo, as well as other characters.
The dialogues are funny, they make you laugh; they also made me cry. I absolutely loved Sharon Washington who plays both distinct roles and a brief Cinderella role, with aplomb. I highly recommend this brilliant performance and pick it as not-to-miss play of this season, in South Bay Area, CA. For tickets, go to www.theatreworks.org .