Posts Tagged CA
कशिश – “Kashish” Ghazal Program in Bay Area, CA
Posted by Darshana V. Nadkarni, Ph.D. in Hindi - Bollywood Movie Reviews-- Play Reviews-- NAATAK-- Poems-- Event Reports, Poems on July 21, 2014
बे एरिया के जानेमाने आज़माये हुए कलाकार डिम्पल भाई पटेल ने “कशिश” नाम से ग़ज़ल प्रोग्राम प्रस्तुत किया जिसमे प्रस्तावना और कार्यक्रम की उद्धघोषणा कि मशहूर शायरा/ कवयित्री अर्चना पांडा ने. अगर आप ये कार्यक्रम चूक गए तो आशा है के ये समीक्षा पढ़कर अगले कार्यक्रम में जरूर आयेँगे. (You can read information on the writer below).
अर्चनाजी ने ये कविता सुनाकर कार्यक्रम की शुरुआत की “में बोली क्या लिखू बताओ, वो बोला आकाश लिखो, खुद को मत बांधो सीमा में, जो होता है आकाश लिखो” और फिर कलाकरोने बरसाई आकाश से ग़ज़ालोकी बारिश. प्रेक्षकोंके होश उड़ गए जब डिंपलभाई ने गाया “होशवालोको खबर क्या, बेखुदी क्या चीज़ है”. कीबोर्ड पर उनको साथ दिया आलाप देसाई ने और तमल डे ने गिटार पर. तबला पर पिता और बेटे, गुरदीप सिंह हीरा और संत प्रीत हीरा ने दिल जीत लिया. लेकिन ये तो सिर्फ थी शुऱुआत.
बे एरिया की प्यारी गायिका उर्मि जोशी का परिचय तो उनकी आवाज में है, यह ध्यान में रखते हुए अर्चनाजी ने उनका परिचय करते वख्त कहा “खूबसूरती को सँवरने की जरुरत क्या है, खुद सादगी भी तो क़यामत का आभास है” हाय………. हो गया दिल घायल और क़यामत का आभास, जब उन्होंने गाया “यु हसरतो के दाग मोहब्बत में धो लिए”. फिर साथी कलाकार जयाजी ने गाया “तुझसे नाराज नहीं ज़िन्दगी, हैरान हूँ में”.
अर्चनाजी ने अगली ग़ज़ल और उनको पेश करनेवाले कलाकारका परिचय करते कहा “बिन सुरोंके गीत गाना चाहती हूँ, कशिश तेरी आज़माना चाहती हूँ” और उन्होंने सवाल किया “इश्क़ क्या है अरमान है या अहसान है”. ये सवाल प्रेक्षकों की सोच में रहा जब बे एरिया के प्यारे कलाकार, मनदीप सिंघ, जो रफ़ी साहेब के गाने खूबसूरती से पेश करते है, जब उन्होंने गाया, “अहसान तेरा होगा मुझपर”.
उर्मीजी और डिंपलभाई ने फिर दोहराया तलत अज़ीज़ का गाना, “फिर छेड़ी रात, बात फूलों की” और जयाजी ने गाया “क्यूँ ज़िन्दगी की राह में मजबूर हो गए हम“. अर्चनाजी ने थोड़ी छेड़छाड़ करके सबको हँसा भी दिया. जब डिंपलजी ने गाया “जुकी जुकी सी नज़र बेक़रार है”, तब अर्चनाजी ने पूछ लिया की गाना किसके लिए गाया जा रहा था. जवाब तो नहीं मिला, लेकिन अर्चनाजी से ये शेर सुनके दिल खुश हो गया “एक ख़्वाब देदो हमें, वर्ना हम खो जायेंगे, इतना मत हसाओ, वर्ना हम रो जायेंगे। यूँ भी आधा दीवाना कहती है दुनिया, पर पुरे पागल हम हो जायेंगे”. और इश्क़ की मस्ती के पागलपन से कौन अनजान है, ये सवाल सोच में रह गया जब उर्मीजी ने गाया “इन आँखों की मस्ती के मस्ताने हजारों है”.
प्रेक्षकों से स्टैंडिंग ओवेशन मिला जब मनदीपजी ने गाया “मेरे महबूब तुजे मेरी महोबत की कसम” गाना का भी जवाब नहीं और नाही कोई कसूर गानेवाले का. अर्चनाजी ने ग़ज़ल सुनाई “जब तू मुस्कायो तो दिल ये बाग़ बाग़ है”. डिम्पलजी और उर्मीजी को स्टैंडिंग ओवेशन मिला जब उन्होंने दोहराया ये खूबसूरत गीत “शमा जलाये रखना, जब तक के में न आऊं”. फिर जयाजी ने गाया “दर्द दिल में उठा” और मनदीपजी ने दिल को छू लिया ये खूबसूरत गाने के साथ “होठों से छूलो तुम”.
डिम्पलजी ने खूबसूरत ग़ज़ल सुनाई “कल चौदवीं की रात थी”. अर्चनाजी ने शेर सुनाया “में चंदा कम समझती हुँ, में सूरज कम समझती हूँ, में सितारे कम समजती हुँ. उधर उनकी मुसीबत इशारों में बात कर रहे है, इधर मेरी मुसीबत में इशारे कम समझती हूँ”. कभी कभी इशारे में नहीं समझनेवालों का अंजाम जुदाई होता है? उर्मीजी ने गायी ये ग़ज़ल “दिखाई दिए के बेखुद किया, हमें आपसे भी जुदा कर चले”. फिर हमने सुनी डिंपलभाई और उर्मीजी के आवाज़ में “दुनिया जिसे कहते है जादू का खिलौना है”.
शाम बेहतरीन रंगो से भर गयी थी, और डिम्पलजी ने ये खूबसूरत ग़ज़ल सुनाई “सरकती जाये रुख से नकाब, रंग ले रही है शाम आहिस्ता आहिस्ता”. अर्चनाजी की कॉमेंट्री से भी खूब रंग जमा था. अर्चनाजी ने सुनाया शेर “आपकी मुश्कराहटने हमारा होश उड़ा दिया, हम होश में आने ही वाले थे, की आप फिर मुस्करा दिए”. ये मुस्कराहट भी क्या चीज़ है, दिल की कसक बढ़ा देती है. अगले गाने की ये कड़ी देखिये “मगर रोते रोते हँसी आ गयी है, खयालो में आके वोह जब मुस्कराये”. कहो कोनसा गाना है येह?
यह कड़ी है मंदीपजी ने फिर जो ग़ज़ल गायी उसमे से “वोह जब याद आये बहोत याद आये”. डिंपलजी ने फिर सुनाया यह गीत “चांदी जैसा दिल है तेरा” और फिर जयाजी और डिंपलजी ने गाया “किसी नज़र को तेरा इंतज़ार आज भी है”. हम भी यह ग़ज़लों की शाम को याद करते रहेंगे और फिर आनेवाली एक और ग़ज़लों की रंगीन शाम का इंतज़ार करते रहेंगे. दिल तो चाह रहा था की ये गीत और ग़ज़लों का सिलसिला चलता रहे, पर वख्त चेतावनी दे रहा था. अर्चनाजी ने यह शेर सुनाया “सांसों की सीमा निश्चित है, इच्छाओं का अंत नहीं है और जिसकी कोई इच्छा नहीं ऐसा कोई संत नहीं है”. डिंपलजी और उर्मीजी की आवाज़ में आखरी गाना सुना “आज जाने की जिद न करो” और फिर जाना न चाहते हुए भी हम ग़ज़लों का प्यार दिल में लिए, गीतों की सोच दिमाग में लिए, और इतने प्रतिभासम्पन्न कलाकारों के प्रति आदर मन में लिए अपने घर की और निकल पड़े.
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Celebrating Poet Shree Narsinh Mehta – Gujarat Day Event by Bay Area Gujarati Samaj
Posted by Darshana V. Nadkarni, Ph.D. in Gujarati: Fiction-Poems-Essays-Events, Poems on June 13, 2014
Bay Area Gujarati Samaj of Northern California celebrated Gujarat Day at ICC in Milpitas, CA. Pragnaben Dadbhawala, a tireless and dedicated community volunteer and lover of Gujarati culture, literature, and arts, organized the program, with a focus on Saint Narsinh Mehta. Pragnaben also welcomed and thanked the officials of the state who were present, including council members Ash Kalra and David Whitman. Also present was the chief guest, the Mayor of Milpitas, Mr. Jose Esteves. Gujarati community would be amiss if we did not celebrate the community that has welcomed and included us with open arms. Mr. Esteves, as representative of the city of Milpitas, was honored and deeply thanked for his presence and for support of ICC and the Indian community.
Each year, during Gujarat Day celebration, a prominent Gujarati poet or writer is selected.
Saint Narsinh Mehta (1414-1481), a poet, saint, and Krishna devotee is deeply revered. He is credited with having composed 1400 plus poems. Most of his compositions are tributes to Lord Krishna. Additionally, he has also written about societal traditions and challenges he encountered. Being part of a traditional Nagar community, Narsinh Mehta was expected to strictly follow traditions and his rebellious nature annoyed the community. Narsinh’s compositions are like a window into the ritualistic, separatist world of the time, where untouchables existed apart from higher castes and girls were supposed to bring in big doweries.
Narsinh’s compositions on Lord Krishna reflect both Narsinh’s deep devotion as well as the intense closeness he experienced with Krishna. He asked for Krishna’s help and at least 52 times Krishna is said to have come to his aid. But Narsinh also admonished and cajoled Lord Krishna. While Lord Krishna supports righteous deeds and steadfastly stands against evil and wrongful deeds, in Hindu religion, he is also a God who is considered to be playful, loves music, and is credited with playing many little pranks that alternately fascinated and annoyed his devotees.
This entire program was presented by the children artists and they did such a superb and highly professional job that 400+ attendees were compelled to give standing ovations. This absolutely talented group of performers included Ria Dadia, Kavya Dadia, Ishita Patel, Isha Pandya, Khusboo Pandya, Shivam Vyas (on drums), Khushi Vyas, Risha Jaha, Heer Dadia, Shreyas Patel (on tabla), Aryahi Vaidhya, and Shravya Anjaria. Pragnaben’s fascinating commentary on Narsinh Mehta and his compositions interspersed the presentations by the children. Narsinh’s poems can be enjoyed for both the beauty of the wordings and deeper meaning inherent in them. Additionally, they can be enjoyed at surface level and also can be analyzed for deeper meaning inherent in them. Below are some highlights.
જાગ ને જાદવા, ક્રષ્ણ રે ગોવાળિયા
તુજ બીના ઘેન માં કોણ તો જાશે
In this beautifully sung morning poem, Shree Krishna’s mother is lovingly waking up her son, to go attend to his chores and take the cows for grazing. But Lord is always awake. A deeper meaning inherent in the poem is to wake up one’s own consciousness.
ઉંચી રે મેડી તે મારા સંતની રે, મેં તો માણી ન જાણી રે
અમને તે તેડા શીદ મોકલ્યા, હે મારો પીંડ છે કાચો રામ
Despite climbing the long and arduous path to devotion, Narsinh feels that he is stil not ready to meet the maker, that he still needs to grow in his devotion. Little further he says, he is not afraid of death but he is not sure if he has collected enough good karmas to go across and he asks Shree Krishna’s help to cross over to the other side.
જશોદા તારા કાનુડા ને સાદ કરીને વાર રે
આવડી ધૂમ મચાવે વ્રજમાં, કોઈ નહીં પુછણહાર રે
In this poem, the tone is completely different. Narsinh is speaking on behalf of the Gopis (the women of the village) who loved child Krishna but also got tired of his little pranks. On behalf of the Gopis, Narsinh says to Jashoda (Krishan’s mother), to call and stop him from playing his little pranks. This poem shows that Narsinh identified so closely with the Gopis, who were deep devotees of Shree Krishna that he felt he could voice their concerns and he also felt close enough to Lord Krishna to complain about him.
Saint Narsinh Mehta has left such a treasure of poems that we will continue to enjoy them for years to come. But what I had not anticipated was the enormous treasure of talent that exists in the Bay Area, among child artists.
In addition to the celebration of Gujarat Day with these poems and songs, several members of the Gujarati community who have contributed to the community and have departed in the last year, were posthumously honored. They include, Shree Pravinbhai Desai (highly regarded in Gujarati community as a journalist and reporter), Shree Naranjibhai Patel (highly regarded for his selfless service to the community, including his contribution and service to Sunnyvale Hindu Temple), Shree Kanubhai Shah (journalist in well known Gujarati newspapers and promoter of culture), Shree Miraben Mehta (dedicated volunteer in Gujarati community and a tireless promoter of language and arts), and Deepa Thakore (also a promoter and lover of arts).
Huge kudos to Pragnaben and also the dedicated teachers and others who helped the children prepare for the program, Asimbhai and Madhviben Mehta, Aanalben Anjaria, Darshanaben Bhuta Shukla, and Ashishbhai and Palakben Vyas.
Finally, attendees enjoyed a delicious lunch of shrikhand, puri, undhiu, dhokla, and kachori. This was yet another memorable celebration of Gujarat Day in the bay area.
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