Posted by Darshana V. Nadkarni, Ph.D. in Gujarati: Fiction-Poems-Essays-Events, Hindi - Bollywood Movie Reviews-- Play Reviews-- NAATAK-- Poems-- Event Reports on February 5, 2017
Darshana Bhuta Music Academy gave its 9th annual recital at JCNC, Jain Temple in Milpitas, CA. Darshanaben, a mother and grand-mother is a highly accomplished artist. Her accomplishments include numerous music Bhajan albums and a Hindi album with the title “On My Own” with lyrics by Rajesh Johri and music composed, arranged, and conducted by Shree Ashit Desai. Her other albums, “Amrit Bindu” and “Mere Praan Anandghan” were distributed by Venus Records. A woman of many talents, Darshanaben runs a highly successful music academy and her 45+ students range in age from 5 years to 85 years of age. All her students together gave an outstanding performance blending information, aalap, music and songs that included bhajans, ghazals, and Bollywood songs.
A raaga consisting of at least 5 notes, refers to the melodic mood in Hindustani classical music and is a central feature of Indian classical music, providing basic musical framework. There are 36 raagas and each one has emotional significance and is considered to be associated with season, time of day, and mood and each raaga is believed to have an impact on nature and is said to impact the emotions and mood of the audience. It is complicated to talk about raagas in this way but in this event it created an atmosphere of fun anticipation and adventure for the audience.
This entire program was organized around classical raagas that are considered suitable for different hours in the day. This incredible journey of raagas began with raaga Bhatiyaar that is sung in the first “prahar” or first hours of the day, between 4 am to 6 am. This raaga is said to possess healing qualities and to calm and console a grieved mind.
Madhviben Mehta and Asimbhai Mehta gave commentary and performed the role of MC. Wife and husband duo are immensely popular musicians in their own right and enthrall audiences with their wonderful voices in various genres including geet, ghazals, bhajans, semi-classical songs and are bay area’s beloved raas-garba singers. They both have a number of albums to their credit which are available on iTunes and on Amazon music store.
Raaga Bhairav sung during the second prahar of the day between hours of 6 am and 12 noon, depicts peaceful, serious, and serene mood. The song from this raaga that Darshanaben had chosen was “Jago Mohan Pyare” from film “Jagte Raho”. Raaga Charukeshi also sung during these hours, is newly adapted from Karnatik music to Hindustani music and is very melodious. The audience was enthralled listening to “Syam teri bansi pukare Radha naam” from the MC duo themselves, Madhviben and Asimbhai Mehta. Raaga Ahir Bhairav, is also sung during the second prahar of 6 am to 12 noon and depicts meditative mood of early morning hours. From 1963 film, “Meri Surat, teri ankhen”, the singers sang these beautiful lyrics…
Na kahi chanda, na kahi tare
Jyot ke pyase mere, nain bichare
Bhor bhi aas ki kiran na laayi
Pucho na kaise maine rain bitai
During the next prahar, from 12 noon to 4 pm, considered 3rd prahar of the day, raaga Bhimpalasi offers mood of bhakti and the singers sang Meerabai’s bhajan, “ari me to prem diwani”. Also sung during this prahar, is raaga Brindabani Sarang that creates romantic and mystical mood.
Fourth prahar of the day begins towards the end of the busy day, from 6 pm to 8 pm. Raaga Bhopali sung at this time, known as Mohanam in Carnatic music, tends to be among the basic raagas of Hindustani music. Singers sang beautiful, melodious “jyoti kalash chhalke”. Raaga Yaman, also one of the basic raagas, is sung during this fourth prahar and creates mood of bhakti and shringar, when a lover looks forward to welcoming the beloved. The halls reverberated with two beautiful melodies, “jab deep jale aana” from film Chitchor and “chandan sa badan” from 1968 film Saraswatichandra. Raaga Madhuvanti also sung in the 4th prahar of 6-8pm, expresses gentle loving sentiment and all students sang together to honor this raaga.
The fifth prahar in the 24 hour cycle, takes us in the early hours of the night between 8 pm and 10 pm. Raaga Kedar sung at this time, is offered in melodies to Lord Shiva and is therefore placed on a high pedestal in Indian classical music. Next, all students joined also by their Guru, Darshanaben and the MCs, together sang “Vande Mataram”, the national song of India, in Raaga Des and rightfully created a mood of compassion. Raaga Khamaj, also sung during these hours, creates light and enthralling mood and is sung in thumris, thappas, and bhajans. Singers sang Gandhiji’s favorite, Meerabai’s bhajan, “ Vaishanav jan to tene re kahiye”.
Raaga Kirvani creates a somber and romantic mood and raaga Bageshri creates a mood of “virah” or longing and are sung during the hours of 10 pm to 12 am when night is still young for lovers, especially for lonely lovers. As melodious song “Radha na bole re” was sung, it had just that effect.
The seventh prahar, between 12 am to 2 am offers two raagas. Raaga Malkauns is one of the oldest raaga and renders serious and meditative mood, befitting the midnight hours. This raaga is believed to have calmed Lord Shiva and the group sang “pag ghungharoo bandh”. Raaga Darbari is a popular raaga sung deep in the night and is said to have therapeutic effect and to cure insomnia. Audience revelled in the lulling melody “tora man darpan kahlaye” sung in this raaga. Literal translation of these lyrics is Your mind is the mirror. That reflects both good and bad, It watches the flow and reveals to all!
Last or eighth prahar in a 24 hour music cycle occurs between the hours of 2 am and 4 am. Raaga Kalawati is said to to create a pleasant, serene and welcoming mood for the new day, in the early hours. The MCs sang beautiful composition “Shubh Swagatam” that was a welcoming song in recent Asian games opening ceremony. Shree Ashit Desai conducted Pandit Ravi Shankarji’s orchestral compositions for this song. Raaga Bhairavi offered at the end of this beautiful journey of raagas is said to create an atmosphere of piety and amicability. When the group sang Zaverchand Meghani’s “kasumbino raang”, honoring the motherland, it had a truly mesmerizing effect on the audience.
Such an outstanding program not only speaks very highly of our beloved Darshanaben but also of the community of parents and singers in the bay area who support the academy and graced this occasion. A very special mention goes to the chief guest Shree Alap Desai who made a special journey from India, for this event. There aren’t words to describe this amazing young artist, singer, and composer. Born to artists and recipients of numerous distinctions and awards, Shree Ashit and Hema Desai, Alapji began his musical journey at a young age of 3 and has never looked back. He offers originality in his music and enthralled the audience with two beautiful songs, a bhajan, “baje muraliya baje” and a ghazal, and ended the program to a standing ovation from a packed audience.
“Laugh about it, cry about it, but a job is a job”. But is it really, and at what cost of personal credibility and supply of #alternativefacts does one maintain a job with questionable ethics? In “Ideation”, playwright Aaron Loeb addresses the issue of morality and ethics, through a group of corporate consultants working together on a mysterious, exciting, well paying, and ethically ambiguous project. Hannah (Lisa Mallette) is the in-house corporate executive and most senior member in the room. Her job is to facilitate and drive the project but more in a conciliatory manner than by controlling. She is joined by external consultants, Brock (George Psarras), Ted (Tom Gough), Sandeep (Sunny Moza). Additionally Scooter (Max Tachis) is a young intern, pushed by Hannah’s boss JD to do odd jobs like take notes, get coffee, get required supplies and get the room ready.
While extremely short dead line creates some serious pressure, super secret hush-hush project with obscure mission about disposal of dead bodies lands the group into giant quagmire of ethical dilemmas. As the group questions the morality of the tasks, goal, and strategy, suspicions emerges about who might be in charge of the project, could there be several such projects, could each team be privy to only limited amount of information, and who would bear moral responsibility for such a mission. The paranoia quickly escalates to break down the team, as the members begin questioning who in the team has how much information and who could be a plant from the top and the ethical dilemma begins causing cognitive dissonance regarding their role in the entire affair.
Directed by Mark Anderson Phillips, the play is thought-provoking, devilishly dark, and infuriating (because most of the answers never come), but also funny. In Trump era, marked by secrets and lies, it is also very timely. The interesting and thought provoking idea is that when a head honcho, someone at the top of the food chain refuses to be transparent and share the vision and properly considered tactical steps then there is a cascading feeling of paranoia and eventual breakdown in the team. Several times the team decides to stick to the project at hand and adhere to logic. But quickly the resolve evaporates in the looming cloud of suspicion, because logic and transparency go hand in hand, and in the absence of one, the other cannot be sustained.
Great kudos to Director, Phillips and the entire creative team, to production manager, Ron Gasparinetti and Executive Artistic Director, Lisa Mallette, for bringing such timely and bold productions to San Jose, CityLights. For tickets, please go to www.cltc.org . Ideation will run till February 19, 2017.
All US based opportunities require valid US work visa and prior experience in biomedical industry. If interested in any opportunities below, please send me an email (resume as an attachment) at wd_darshana at hot mail dot com and include position title in the subject line. Please include in the email, how well the description matches your background and where the gaps are, if any. If you identify the position that correctly fits your experience & geographic preference and include in the email details on how it matches your background, your current comp and comp expectations, then it will get my first attention. All leads or referrals are greatly appreciated. More details on all opportunities below will be posted soon.
Director of Clinical Studies: Stealth Mode CHD Startup – Palo Alto, CA
There is a very exciting opportunity in a stealth mode startup being advised by a veteran entrepreneur with huge prior success. Right candidate is someone who knows how to develop protocols, organize operational and quality conformance aspects, conduct the study, close it out all the way to final report, has regulatory interaction experience, and all of this in the arena of medical devices for coronary and peripheral vascular interventions.
This could be an associate/director of clinical development level position.More details will be posted soon).
Head of Asceptic Manufacturing for Drug Device Company – San Jose, CA
Chief Commercialization Officer (with background in Immunotherapy & BioInformatics) – Mountain View, CA
Senior Mechanical Engineer w/ background in Polymers & Catheter Engineering – San Jose, CA
Senior Electrical Engineer w. Implantable Electronics Analog Design Medical Device Experience – San Jose, CA
Cardiovascular Clinical Studies Design Engineer – Redwood City, CA
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Senior Engineer w Injection Molding Experience – San Jose, CA
Senior Technician w Medical Device Implantable work experience – San Jose, CA
Every year, I write end of the year review. However, this year has been for me, a year of devastating loss, and it has been hard to write the review of 2016. Well now into 2017, I have finally decided to write year-end review of 2016. As we bid sad adieu, let me first say, thank you Mr. Obama, Mr. Biden and team for leaving an awesome legacy to serve as our guide going forward.
The deepest of my personal loss is that of my mother who left this world and went on to explore newer shores, on December 30, 2016. My mother was my rock, my inspiration, my greatest champion and I miss her so very deeply. Prior to that I also grieved deeply at the election loss of Hillary Clinton (you may contest my counting her as a personal loss and I accept if you mourn with me). I also lost my love, my jelly bean as I called her, my daughter Neesha who colored my life with many gorgeous hues from the time she was born. She is gone to study at U Penn and I am proud of her accomplishments. My son Neil continues to work at Cisco and is thankfully living closer to me. As I write this on the eve of historical impending change hanging in the air, I am however also grieving with many of my friends, the loss of an incredible team of talented, bright, compassionate, good hearted people at the helm of our country. Not just our nation but many in the world will miss Mr. Obama, Mrs. Obama, Mr. Biden and the entire team. Adieu and good luck.
The year was indeed sprinkled with many beautiful events, situations, and deep ties that left indelible marks and created a tapestry of beautiful memories. I spent beautiful 15 days with my mamma in India and just a week after my return, she peacefully passed away. During my stay, my spunky, adventuresome mamma was in the best of spirits and loved our twice daily outings. Every morning I gave her oil head massage and a bath and then took her in the wheelchair for an hour in the neighborhood. Every afternoon, we went for a car ride and every evening I brought hers and her sister’s favorite ice cream. I will treasure those wonderful memories. Our nation will cherish the legacy of President Obama, now leaving White House with very high approval in the country and in the world.
Hillary Clinton nearly shattered the glass ceiling, and from the grief and determination is emerging a pantsuit nation of women warriors, committed to preserving her legacy and her memory with the power of action, in favor of respect, unity, and diversity.
In addition to several road trips and other vacations, I also had a wonderful theater filled vacation in Ashland. My trip to Morocco http://bit.ly/1SXk80T, walking in the markets, sipping mint tea, riding the camel, and holding little goats will be one of the most memorable vacations. Later in the year, after I visited mom, I enjoyed a vacation with my cousins and their children at Pondicherry and Trivendrum in Kerala, India.
Other bitter-sweet events of 2016 include thawing in US-Cuba relationship and Chicago Cubs overcoming their World Series curse. In an effort to root out black market corruption and terrorism financed by black money, India took an unprecedented, bold step of demonetization, wiping out nearly 80% of its currency in circulation, giving the citizens only days to exchange the money in their possession. Indians and the world will closely watch its long term impact. Let’s end on an uplifting note – the fact that women of color made history on election night in the US, as the highest number got elected from their respective states. Certainly, all signs point to the coming year being marked by optimism, activism, dynamism, liberalism, and humanism at the grass roots level.
Beth Henley’s Crimes of the Heart, set in MaGrath family kitchen, is a story of sisterhood. Anyone who has lived with sisters would agree that sisterly bonding is strong, it’s sweet, it’s sorrowful, it is sassy, it’s surreal, it’s serene. The play that just opened at Mountain View Center for Performing Arts, takes the audience on the complex journey of sisterhood.
Part of the literary genre known as “Southern Gothic”, the play won the 1981 Pulitzer Prize for Drama and was nominated for the Tony Award for Best Play. Mix of tragedy and dark comedy, the play is set in 1950s, in a small town in Mississippi. The youngest sister Babe (Lizzie O’Hara) is out on bail, after briefly being jailed for shooting her husband (who is injured in the stomach but survived the shooting). Middle sister, Meg (Sarah Moser) is just out of the psychiatric facility and has arrived at older sister Lenny’s (Therese Plaehn) home to gather in support of Babe through her court trial.
It is obvious that all three sisters are having a bad day, perhaps a bad life. Babe is entangled in an abusive relationship, Meg joyfully embraces life only to be challenged at every turn, and Lenny celebrates her 30th birthday alone in the kitchen, trying to blow out her candle on a cookie, making wish after another wish. The sisters are brutal towards each other one minute and supportive and encouraging, the next. It all comes together to create a touching tapestry of sisterhood, family, and deep ties that provoke great sorrow and also provide strength when strength is needed to get through life’s biggest challenges.
Beautifully directed by Giovanna Sardelli, special mention also goes to Stage Manager, Ashley Taylor Frampton and Assistant Stage Manager, Emily Anderson Wolf, for fabulous stage design. Major kudos to TheatreWorks’ artistic director, Robert Kelley for bringing a bold and honest story, told from a female perspective, as he says, “in a year that has already focused on America’s women in so many unexpected ways”. As a million women are set to march in the nation’s capital, and so many more all over the country, in a show of solidarity and strength that emerged from spontaneous rallying cry via social media, to repudiate sexist, racist, misogynystic and divisive rhetoric that has colored current political and social climate in the country, this play focusing on women’s passion, insight, frustration, and bonding, is very timely. It is also telling how a bunch of loony sisters can overcome and prevail when they bring their passions and bond together, over some sugary desserts :).
“Crimes of the Heart” will be playing in Mountain View till February 5, 2017 and tickets can be purchased at www.theatreworks.org .
Based on a feel-good true story, “Calendar Girls” is adapted by Tim Firth from his original screenplay, for Nigel Cole’s 2003 British film, by the same name. The play focuses on six women and their resolve to make a difference in the world, with meaningful contribution. Members in a women’s club, these six women, Chris (Anne Younan), Annie (Deb Anderson), Cora (Caitlin L. Papp), Jessie (Ruth E. Stein), Celia (Karen DeHart), Ruth (Mary Lou Torre) often spar with the club queen bee Marie (Patricia Tyler) about how their club could be a more meaningful group. Opportunity presents itself when Annie’s husband, John (Ken Boswell) passes away and in memory of John, the women decide to raise funds for a new couch in the waiting room of the local hospital.
They imagined that ordinary, run of the mill calendars with flowers and landmarks would not sell easily. Chris and Annie came up with a unique idea (something they had jokingly discussed earlier in John’s presence). They decided to do a calendar with pictures of their group of mature women doing traditional Women’s Institute activities like knitting and baking, with a little twist. The women would pose in nude as they do these activities, with discreetly placed props to cover specific body parts with little exposure but more of a titillating suggestion.
The women were not prepared for the notoriety and eventually international fame the calendar brought them. It took a toll on their friendships and personal lives. Sometimes they lashed out at each other and at other times in their frustration they lost sight of the fact that they had far exceeded their set goal. While they had imagined raising a few hundred pounds for the couch, they ended up raising nearly 3 million pounds that enabled building of an entirely new hospital wing.
Eventually, these classy women found their footing and solace in their friendship. They recognized that “out of John’s tragic death came something very special; and acknowledged that “everything we do is born out of love for him”. Clearly their little act stood as a symbol of something much bigger than they had imagined. It was sexiness combined with spunk, mixed with a dose of sass that set them free and enabled them to create a work of art, in favor of a worthy cause, and the world took notice and found inspiration.
While the story is played on world stage, Director, Jeffrey Bracco, Scenic Designer, Ron Gasparinetti and Stage Manager, Kimberly Scofield did a fabulous job in bringing the world to the women, on stage. Calendar Girls will be playing at City Lights Theater in San Jose, CA till December 18, 2016 and tickets are available at www.cltc.org .
The Night Alive, written by Conor McPherson and directed by Tony Kelly, is a kind of nativity story focusing on compassion and kindness although the beginning seems like it’s anything but that. The play starts by providing a glimpse into the slice of anguished lives of a few lost souls and faint but clear glimmers of hope appear by the end.
Tommy (Randall King) rents a room in his uncle Maurice’s (Julian Lopez-Morillas) old Edwardian house in Dublin. Uncle Maurice lives upstairs and though critical of Tommy, he also loves him. Tommy’s friend, Doc (Lawrence Radecker) is Tommy’s little sidekick who also frequently sleeps in the room and helps Tommy with odd jobs. They scrape by from day to day work and live amidst junk-filled squalor of the room. As the play begins, one night Tommy rescues a young prostitute, Aimee (Allison F. Rich) and bring her home to get her cleaned up. Aimee has no place to go and she ends up staying, for that night and another and another.
Tommy has been estranged from his wife and kids and does not have anything significant to look forward to in life. But a sort of friendship develops between Tommy and Aimee and it brings a little sunshine into his otherwise dark life. Friendship also sprouts between Aimee and other men. Doc is a little slow and at first he is not quite approving of the loss of his sleeping place and of his friend’s attention. Uncle Maurice is also somewhat disapproving at first. Deadpan humor while all these lost souls are trying to find their bearings in a situation of change and chaos is often heart-breaking but things start to get resolved and just as there is emergence of hope for a kinder gentler life, the story takes a turn.
Aimee’s ex-boyfriend Kenneth (Jonathan Rhys Williams) comes looking for her and completely disrupts their lives. Is that not how life often unfolds for people with lower means and resources, and keeps them imprisoned in a vicious circle where while they continue to live, life in a true sense seems to emerge every now and then but continues to stay out of their reach? For this group, as life unfolds in the moment, as they live without dreams, goals and a future, their little attempts at humor seem like attempts to grab fleeting happiness, whenever they can. Doc once brings a book titled “How to survive life-threatening situations”, and reads from it. As the audience laughs at totally non-helpful suggestions outlined in the book, a question lingers, how does one survive life that has nothing to offer?
If however, the ending is good, rest does not matter. Play ends ambiguously, albeit at a place where a little hint of hope, a faint flash of faith emerges. Sometimes love and kindness may just be enough to open a future of possibilities.
The Night Alive is playing at www.thestage.org in San Jose till December 11, 2016.
You are wrong Michael Moore. Trump’s campaign was entirely run on racism. (No voters are not racist just like Ms. Elliot’s kids were not racist – see more on that below in paragraph 4). True that many of these same people who voted for Donald Trump had also voted for Barack Obama with the middle name Hussein. However, Barack Hussein Obama did not simply run his campaign on the rhetoric of divisiveness; in fact, unification was a strong theme in his campaign. Whereas Trump sought to divide. He pitted groups against groups; #BlackLivesMatter against #BlueLivesMatter, Latinos against Whites with supremacist bents and so on. But then he went on to divide people from the group they belonged to, identified with, and took pride in. He sowed seeds of division within communities and families, where bi-racial families who had unity are now fighting based on people’s voting preference and invoking racism. Affluent and middle class blacks were pitted against blacks living in “imagined” ghetto communities. Immigrants who find cultural similarity and likability with each other were pitted against each other based on legal versus illegal status. Whites were pitted against one another on gender lines. Even I read an articulate essay about a muslim woman who voted for Trump for a number of reasons but her emphasis seemed to be on his labeling of Islamic terrorists as opposed to Obama who had not labeled acts of terror as Islamic acts of terror. Goldstar families who stand together no matter what, united by heart soaking grief of sacrifice that is linked to their love of the nation, felt divided and compelled to take sides, as Trump engaged in an ongoing war of words with the Khan family. Heck, I even know an undocumented immigrant who goes around badmouthing Hillary and talking up Trump (not quite sure why but I’m sure he wants to disassociate part of his identity that has been made to feel like “rapist and murderer”. (Honest to God this is a true story).
People hate politicians, because ALL politicians create divisions. Political campaigns are run based on divisiveness not just in the US but in every democratic country. Yes, #BarackObama, #RichardNixon #HillaryClinton #GoergeBush everyone did that and pretty much all politicians do that. That is how they differentiate themselves from their opponents and energize their base. But normally, they are ALSO held accountable and are compelled to study issues and TIE THEIR RHETORIC WITH POLICY CONSIDERATIONS, and have to downplay their rhetoric of divisiveness. Understandably, people abhor this two-facedness of politicians. It was Donald Trump’s cunning to wage a war against “political correctness” because then he could speak without restraint and people just slurped up his rhetoric of racial hatered and bigotry, because they liked his honesty. He engaged in name calling of his opponents and the names stuck. Despite him not revealing his taxes, his ties with Russia, his concerns regarding health records, he called Hillary “crooked” and it stuck because labels stick without much effort; whereas going to Hillary’s website and understanding issues takes study and effort.
Trump’s supporters are NOT inherently racist people, certainly not a vast majority of them. Perhaps many of those who bought the birther lie and have stuck with him since, may be inherently racist. But many other Americans were invited to participate in the race based and other divisions. And everyone of us is racist at some times or another and depending on circumstances, we are likely to buy into it. People are always looking to make meaning out of their circumstances, life’s twists and turns and calamities. People look for answers and explanation and Trump provided a powerful, emotion laden context. He tapped into the vulnerabilities of people and stuck the deepest chord based on his divisive rhetoric and coupled it with eliminating the need to share policy details, with simple slogans like “what have you got to lose”?. Yes, people are jobless and in pain, yes people are dying of opioid addiction more than ever before, and yes, we have crime in the US. But none of those issues alone could have driven people to vote for Trump in large numbers, because he gave no details to deal with any of the problems facing the country. What drove people was that he played to and invoked the hate towards others and he talked to them over and over, relentlessly. He fought his campaign alone, and like a Messiah his voice invoking the hate kept reverberating in people’s minds until they walked into the voting booth.
As a diversity and inclusion trainer, one of the most fascinating thing I learned very early in my professional life as a trainer was how easy it is to divide people based on groupism, even artificially introduced groupism. In 1968, in a highly publicized exercise, a third grade teacher Jane Elliott tried to teach her class about race and discrimination through a two day “blue eyes/ brown eyes” exercise. (something that would not be allowed today). Students with blue eyes were given preferential treatment on the first day; they received positive reinforcement, were made to feel superior, and this process was reversed the next day. The results were profound and when she repeated exercise in subsequent years, during one year, PBS went in and filmed the actual impact, in a well known documentary, “A Class Divided”. In just two days Elliot managed to sow deep seeds of hate based on completely artificially introduced divide. The group that was favored performed better in class, were quick to answer questions and the kids in the other group were hesitant and doubtful of their answers and performed poorly. What was also striking was that many of these kids who were friends for their entire young lives, started hating each other, were mean to the other group and the kids from discriminated group walked through the day with downcast eyes, feeling like s&^%*, feeling as if they had nothing more to lose. Ms. Elliot’s tearing down the divide and bringing the class together was just as impressive.
The lesson is that if seeds of hate and divide can be sown in a span of mere two days then consider how deep the hate is that was sown over a year ago and nurtured through Trump’s divisive campaign? And we don’t have Ms. Elliott to bring the country together. The only lesson is that if race based divisiveness gets to rear its ugly head and seems like a mild threat, it must still be quoshed immediately. It is hard to push this beanie down when massive groups of people are called to buy into it, as we know from history. Bernie could not have contained this monster. What is fueled by hate cannot be contained by logic and no policy discussions or understanding coal miners or ads focusing on jobs could have contained divisiveness fueled by hate and emotion.
So Mr. Moore you are wrong to say that it was not racism and hate that more significantly than any other characteristic or consideration played a role in outcome of #Election2016. It is also hate and racism that people are rallying against in post election protests. It is not the win of the Republican party, the undoing of progressive agenda that may happen, nor the anger against hard to accept Electoral College imposition in an era where each citizen has access to information and must have equal weightage; instead it is against Donald Trump’s rhetoric of hate and division that brought the country to this stage, his basket of deplorable behaviors that now becomes our baggage for next several years, that is fueling the frustration.
And it is deep frustration. Part of me feels, now what do I care? I should just sit back and relax and enjoy the lower taxes; it’s not my problem any more. And part of me feels like I should walk about wearing those ridiculous safety pins. But for who am I an ally? For that Latino who is undocumented and went around talking up Trump and badmouthing Hillary; or that Hindu who voted for Trump because she hates Pakistan (strange where people connect the dots when hate enters the picture); or that Muslim who voted for Trump and may be attacked by a white supremacist; or for that white man who mostly enjoys many of society’s privileges (without knowing or intending to take an unfair advantage) and on this night is attacked simply for being gay? Why does it now fall on me? Is my safety pin even strong enough to withstand the power of chainsaw that literally cut our ties with each other and broke the humanity that bound us? Perhaps we felt anger towards one group or another at different times in the past, but we did not voice it; we thought before we spoke, and our political correctness allowed us to have polite discussions to understand one another. How do we understand one another now, and do I even want to understand what hate towards whom compelled you to vote for Trump?
In our dark moments, let us remember that more than 50% of voters did not vote for Trump. Remember that all #TrumpVoters are NOT inherently racist people; that Trump may also not be as racist as he is an opportunist. (In my language there’s a saying “a wise enemy is better than a foolish or evil friend” and he is narcissistic evil opportunist but too late for that wisdom now).. He played the most insidious racist/sexist campaign to his advantage, but his policies may not reflect that; he will likely look for personal gains and we must watch closely. #TrumpVoters with inclusive bent joined by #RegretVotingTrump and #RegretNotVoting groups have awakened and want to fight racism and be there for each other; are trying to don safety pins, take the anti-racism message to the streets, and trying to keep the voice of humanity alive. Please get on twitter, a low cost medium to spread awareness AND only tweet true & fact checked news. Retweet important news from @RealDonaldTrump so we’re never taken unawares; so we create a vast network focused on keeping issues and inclusion in forefront so that history will never be repeated. I love this beautiful, diverse and welcoming country where (paraphrasing Churchill) we always strove for goodness, sometimes only after and perhaps because we exhausted the alternatives. But even so, after veering away, we know how to find our way back to goodness.
There is a lot of talk on Facebook on acceptance and reconciliation, after Trump’s victory, after Hillary’s gracious speech imploring people to give him a chance and after Trump and Obama’s nice photo op. On the other hand, there are protesters refusing to accept and are marching on the streets of most major cities for days. Hence I decided to share my thoughts.
Reconciliation with Trumpers, yes sure – we need to heal and come together, in time. But no, do not speak to me of reconciliation and giving this man a chance. Let us not forget that people gave him chance after chance after chance and he kept lowering the bar and that is how he got to the world’s top bully spot. No, I am also not speaking of not accepting #TrumpRule. But it is ok to peacefully protest; to protest against his crass and crude racist and sexist remarks about almost every group of Americans. I am sure African Americans and Latinos and Muslims etc. feel the same way about remarks against the groups they belong to as I feel about his name calling, fat shaming, and sexabusing of women.
The crass and crude talk by Trump has been beyond all reasonableness. If he is a role model then what does he inspire? I am not willing to keep lowering the bar in order to accommodate the crudeness demonstrated by Trump towards 50%+ of population, women — and I hope other members of other groups speak up in their own way at their own appropriate time, as they have been. I feel that I must stand up for women and not allow such crude man who has talked of women in such crude terms to earn my respect. I can’t understand how any woman can. And I can’t understand how any man who respects his women, can.
Trump’s basket of deplorable behaviors is now our baggage for next several years. If past is any prelude to what may come, belief and trust in him will only lower the bar further, now for the office of the Presidency. While we endure #TrumpRule, we must never forget his deplorable words and behaviors that brought the country to its present stage. While we endure #TrumpRule, he must never get our respect. I am not wishing him to fail or our country to fail. But remember, a President never governs by himself. Let us hope reasonable “ELECTED” Republicans will play a role and will show wisdom and enable the country to move ahead, in these difficult times. But meanwhile, do not speak to me of reconciliation with Trump or his coterie of gutless men (who are not elected officials) with idiotic chants of locking up political opponents.
So yes, we accept #TrumpRule. But we do not accept it with any kind of belief that this man will be different and be worthy of earning our respect, in the office of Presidency. We also do not accept it with resignation that now he won so we just accept and give up striving to be better. We accept #TrumpRule as a fact of life for the next several years. We accept it with clarity that during this time we need to watch each other’s backs, to look out for safety of those among us who may be more vulnerable, because the groups they belong to were directly threatened by him. We accept him while keeping a spotlight on who he is and what he represents and what stage he brought the country to, so we don’t allow him or anyone like him to repeat history. We accept with the knowledge that if we rise up to it, if we volunteer, be there for each other, stand #StrongerTogether than we will emerge better and more worthy of our next leader.
We accept #TrumpRule my friends, with resolve, not resignation; and certainly not gullibility that brought us here today…..
PS: Good discussion on @maddow @MSNBC – her guest shares we have a tendency to think we’d be ok even though everything that’s preceded indicates that it’s not so even though he has already started flaunting traditions – http://www.msnbc.com/rachel-maddow-show
Russia applauded & congratulated Trump & has come out and confirmed that Russia was in contact w. Trump campaign throughout the entire campaign. Now he is getting intelligence briefings, including intelligence on any American spies in Russia. Whole intelligence operations in all countries center around stealing information. I pray our spies remain safe. http://www.msnbc.com/rachel-maddow-show
And a day earlier, Elizabeth Warren @Warrenolizer on Maddow said we will need to stay connected so that we’re ready to mobilize should a time come.
The movie, Sully is centered around the incident that came to be known as “Miracle on the Hudson”, where Captain Chesley “Sully” Sullenberger (Tom Hanks) with his co-pilot Jeff Skiles (Aaron Eckhart) is forced to make an emergency landing in New York’s Hudson River and manages to do it skillfully, saving every single passenger on board.
Within minutes after takeoff, US Airways Flight 1549 had a head to head collision with a flock of Canadian geese and the airplane lost all power. Under tremendous pressure to save lives of all on board the airplane which was now quickly losing altitude, Sully decided to land in the vast expanse of the icy Hudson, something that had never been successfully done before. Prior to the decision, he quickly considered a return to LaGuardia or the closer Teterboro airport in New Jersey and decided that both those possibilities were more risky with a real chance of losing lives on board and on ground, if the airplane would not make it. Landing in the river would make it possible for rescue workers, choppers, and ferryboats to come to their quick rescue.
Clearly the miraculous landing was celebrated in the media and Sully was hailed as a hero. But privately, behind the scenes, Sully’s actions were coming under scrutiny by the National Transportation Safety Board. The NTSB began to grill Sully and his co-pilot relentlessly. At first, Sully was certain but over time, the double guessing began to take its toll and he had moments of doubt that he shared with his wife Lorrie (Laura Linney).
Sully is a modest man with years of flying experience under his belt and he does not shy away from the attention, neither does he crave it. Tom Hanks does a tremendous justice in his character as Sully, playing it with just the right touch of subtlety and show of confidence. Special kudos to Louisa Abel, Makeup department head, for excellent job on the makeup where Hanks comes as close to looking like Sully as he possibly could. This is a beautiful movie that restores our faith in the power of human decision making which supersedes technology, although that may be true only when a person is equipped with experience to carefully (and albeit quickly) consider various alternative scenarios and pick the one that may be just right to avert the disaster. On a scale of 1 to 5 with 5 being excellent, I rate the movie as 4.7 .